Gamera has never enjoyed the same respect that fellow kaiju Godzilla has. A far cry from the gag-a-minute approach of its creator’s earlier work, Disenchantment can be a bit of a slow burn at times, but with its drier comedy and rejection of an episodic status quo, it’s one of the most interesting adult animated comedies to come out of the US in years. ![]() With the aid of her personal demon, Luci, and a besotted elf bestie named Elfo, Bean flips the kingdom on its head, unearths ancient secrets, and battles her greatest enemy: her mom. “Would rather stay a drunken troublemaker” reluctant. ![]() Over the course of five seasons, it charts the journey of Princess Bean, who yearns to be free from her royal obligations to Dreamland, taking her from drunken troublemaker to reluctant hero. Go in with that expectation and you’ll be disappointed-this is a far more structured and arc-based show. Coming from The Simpsons creator Matt Groening, it was presented in opposition to his later Futurama, lazily swapping sci-fi for fantasy. Netflix screwed up the pitch on Disenchantment. It's never less than thoroughly entertaining popcorn horror though-and with Michelle Gomez at her scene-stealing best as the gloriously vampy Madame Satan throughout the show, it's perfect for a Halloween marathon. Frequently unsettling, it's the closest to true horror the show comes, while later seasons up the camp factor and delve into schlocky territory, with warring witch clans, mystic doppelgängers, and an extremely meta fourth season that manages to fit in cameos from the 1990s Sabrina the Teenage Witch sitcom. With four seasons to its run, it's the first season that most lives up to the "chilling" moniker, diving deep into Satanic imagery and lore, and exploring themes of determinism and inevitability as Sabrina weighs up whether to sign her name-and soul-in the Book of the Beast. It's not just for grown-up goths or erudite emos though-everyone will get a creepy kick out of this delectably gothic twist on Succession.Īdapted from the horror comic of the same name-itself a disturbingly dark reimagining of the light-hearted Archie Comics character- Chilling Adventures of Sabrina sees Kiernan Shipka as half-human, half-witch teenager Sabrina Spellman, caught between the mortal and supernatural worlds as she navigates her dual heritage. As they start falling victim to a variety of unsettling deaths, leaving the family founders to watch in despair as their empire crumbles, Poe fans will delight in spotting the references. The fun twist is that each member of the Usher clan is adapted from characters found in Poe's other works, including The Murders in the Rue Morgue, The Masque of the Red Death, and, of course, The Raven. Like the title's source, this eight-episode event hangs on twin siblings Roderick and Madeline Usher, here reimagined as the rulers of a shady pharmaceutical empire, now with a sprawling family of descendants and squabbling heirs. This year, Flanagan treats viewers to not just an adaptation of Edgar Allan Poe's title work, but rather several of the master of macabre's pieces, brilliantly woven into a tapestry of terror. ![]() Time for our favorite Halloween tradition: a new Mike Flanagan horror miniseries, a staple of spooky season since 2021's Midnight Mass. ![]() With eight episodes, each around an hour long, this is as prestigious as any live-action thriller the streamer has produced, and a testament to both Tezuka and Urasawa's respective geniuses. This adaptation is not only a faithful recreation of Urasawa's retelling, but is stunningly animated to a standard rarely seen in Netflix's original anime productions. Meanwhile, Atom (Astro's Japanese name) is recast as a former peace ambassador, effectively a propaganda tool rolled out at the end of the 39th Central Asian War, still dealing with trauma from the experience. The focus shifts from the heroic boy robot to grizzled cybernetic detective Gesicht as he investigates a series of murders of both humans and robots, each victim left with makeshift horns crammed into their heads. In 2003, Naoki Urasawa ( Monster, 20 th Century Boys) updated original creator Osamu Tezuka's hugely influential "The Greatest Robot on Earth" story arc for his manga Pluto, opting for a more adult approach.
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